Angela Carter as Fiction: Refiguring the Real Author as Performative Author

TitreAngela Carter as Fiction: Refiguring the Real Author as Performative Author
Type de publicationArticle de revue
AuteurRyan-Sautour, Michelle
PaysRoyaume-Uni
EditeurIntellect
VilleBristol
TypeArticle scientifique dans une revue à comité de lecture
Année2012
LangueAnglais
DateDec 2012
Numéro1-2
Pagination59-71
Volume2
Titre de la revueShort Fiction in Theory and Practice
ISSN2043-0701
Mots-clésAngela Carter, Death of the Author, Fairy Tale, gender, Performative Author, postmodernism
Résumé en anglais

In a 2006 article in The Independent, Christina Patterson echoes Gore Vidal by stating ‘Death, as any biographer knows, can be an excellent career move’. Commenting on a brief revival of Angela Carter’s work in 2006 concomitant with Emma Rice’s bringing of Nights at the Circus to the stage, and Vintage’s reissuing of six of her works with new introductions, Patterson refers to Carter’s ‘whole new lease on life’ suggesting the metamorphic potential and curious temporality of the authorial figure with regard to reader reception. The Vintage editions suggest, as Stephen Benson observes, the ‘legend’ of the ‘Carter effect’, identified by The British Academy Humanities Research Board, which distributes postgraduate studentships. This ‘Carter’ effect was also fostered by the theatricality of Carter’s authorial performances. Sarah Gamble has observed the ‘screen’ of authorial identity upon which readers are led to project impressions, which functions as a ‘hall of mirrors’ in relation to penetrating to the authentic author. Such attempts at authorial effacement and control are certainly not unusual. However, Carter’s postmodern enactment of the play of surfaces in the realm of authorial identity appears to heighten the consequent shifting of boundaries between fiction and life staged in her fiction. This article will address the interaction between the games with identity inscribed in Carter’s short stories and the complex identity and temporality of the Performative Author.

Notes

Texte issu de la conférence "The Figure of the Author in the Short Story in English", co-organisée les 7 & 8 avril 2011 par le Centre de Recherches Interdisciplinaires en Langue Anglaise de l'Université d'Angers et l'Edge Hill University (Ormskirk, Royaume-Uni) à la Masion des Scinces Humaines de l'Université d'Angers.

URL de la noticehttp://okina.univ-angers.fr/publications/ua4607
DOI10.1386/fict.2.1-2.59_1